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Lesson
10 Punctuation has been called, aptly, the "print code." Punctuation helps us signal in print the kinds of things we signal with voice patterns and intonation, and with facial expressions and body movements, when we speak. Unless we master the print code, our writing is severely impoverished-just as our speech would be impoverished if we couldn't vary our vocal patterns or facial expressions or body movements (sort of like Al Gore). First, a word about what punctuation does not include. It does not include use of capital letters, italics, underlining, boldface, or varying font sizes, shapes, or styles. True, we use these things to signal, in print, some of the things traditionally signaled by punctuation. This has become more common as personal computers, with their many visual options, have flooded the world. The line between text and image has never been a sharp one, and computers have blurred it even further. One of the most amusing examples of this is pictures made of type-mostly punctuation marks!-used now in millions of email messages. But there is still such a thing as the traditional print code, punctuation, and its exclusive application to text. Punctuation shows the parts and edges of sentences; that is its grammatical function. But punctuation also creates or reinforces psychological aspects of our sentences. That is its stylistic function. Let's now look at some of the most important, and most troublesome, aspects of the print code. In this unit, you'll improve your mastery of the following kinds of punctuation: o Commas
Commas
Let's review how to use commas correctly and how some people (not you) use them incorrectly. I'm going to blast through a long list of rules, so hold on. Use commas
to Unfortunately,
the experiment failed. 2. Join compound sentences: Both occupants
of the car were wearing seat belts, so injuries were minimal. 3. Set off nonrestrictive elements (including appositives): Galapagos
tortoises live to be about 200, which is an impressive life span. 4. Set off interjected and transitional elements: The president
of the United States is elected, believe it or not, via the electoral
college. 5. Separate items in a series: We bought
nuts, bolts, wires, tape, and bandages. NOTE: It's an excellent idea to include that final comma just before the "and." Many people leave it out, sometimes creating an ambiguity, as in "He took courses in math, science, economics and architecture of Medieval Europe." This leaves the reader wondering whether "economics and architecture of Medieval Europe" is one course or two. 6. Set off direct address and "tag questions": Look into
your hearts, members of the jury, and find compassion there. 7. Set off
quotations: [But don't
use a comma if your sentence introduces the quotation with "that," or
if your quotation is indirect or just part of a longer construction]: 8. Set off dates, addresses, and titles: The product
must ship by June 12, 2001. 9. Avoid confusion and awkward-looking prose: The members
of the committee walked in, in time to vote. Before, they
had believed the containers to be full of harmless sludge. FYI, don't
use commas Wrong: We
ordered a mix, of soybeans, corn, wheat, and rice. Wrong: I've
always wanted a big, expensive, loaded, computer. 11. In compound constructions: Wrong: Safe
drinking water, and clean air are essential to health. Wrong: The
field is infested with grasshoppers, and Japanese beetles. 12. Around restrictive elements: Wrong: This
is the switch, that starts the engine. 13. Between subjects and verbs, verbs and objects (or compliments), prepositions and verbs: Wrong: The
mercury model, considers both organic and inorganic mercury. 14. Between independent clauses: Data gathering has always been a primary component of regulatory programs, it is a given that we will ask corporations and businesses for data. Note: placing commas between independent clauses (full sentences) produces the infamous comma splice. An easy fix is to change the comma to a semicolon, or link the two sentences with a coordinating conjunction (and, or, for, but, so, yet), or just end one sentence with a period and start a new sentence. But don't choose one of these options arbitrarily. Choose according to your rhetorical purpose. If, for example, you wish to reinforce a cause-effect relationship between two sentences, you may want to join them with a semicolon rather than chopping them into two distinct sentences. More on this shortly. Using
Commas Rhetorically The investors want to see our phone transcripts and email and memos and maps and sketches and figures and projections before they'll even begin to consider our proposal. BTW, you may feel a temptation to underline or italicize begin. Resist it. Trust your reader. You've already set up the sentence in such a way that emphasis must (must) fall on that word. Now let's try slowing down a sentence: Vehicle congestion is terrible, particularly in communities like this, where urban sprawl, unplanned, and the need to commute, unavoidable, combine, every weekday morning, to produce sluggish caravans of coughing, creeping autos. Did you feel yourself sputtering and creeping along in that sentence, like those poor autos? Good. That's what I intended you to feel. Normally, however, you won't want to slow down your reader that much. But you will certainly want her to pause or mentally "breathe" at chosen spots in your sentence. It's best to "feel" those spots yourself, as you're writing, and insert the commas as you go (rather than backtracking to pepper them in later). Take scientist-writer Lewis Thomas's advice:
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